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Gina's Interview Series: Famous People From Around the World
Musician
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Posted on Saturday, April 14, 2012 11:51 AM
Welcome Tawny!
From New Mexico, USA, Tawny is the author of the wonderful book 'Angels Come with Fur'. A story about Gandalf the wonder Great Dane. A must read for every animal lover; recommended reading! A fascinating author, Tawny is a musician, equestrian, animal advocate, mother and fabulous writer who will tickle your funny bone and steal your heart......
Where are you in the world?
Well my mind and my heart usually ramble around the country sides of Ireland, but in reality I live on the backside of New, Mexico. I’m about 25 miles SE of the closest town, Deming, NM, but closer to a wide spot in the road called Akela Flats. I have a section of vacant land in front of me, maybe more, can’t see anything on to the Florida (pronounced Floor-ree-da) mountains which are almost 10 miles away at the closest point. The land is full of sage, mesquite and every kind of mulley grass you can think of. There are spatterings of tall yucca trees and a few cacti within my view. We have lovely bushes of crown of thorns that can go right through a steel belted tire. The ground is covered in different varieties of Jasper and white melted rocks that were the result of a small volcano around here long ago. Love those little bubbly rocks and pick them up every time I find them. They say you can find Amethysts here too but haven’t been able to. I’m one of those people who could stand up to my knees in arrow heads and never find a one. When I’m out walking and talking with Domino, my big Apache Rez wild horse, we imagine those days when Geronimo and his ancestors lived here without the white man to bother them; hunting and living free. I feel bad they took that wonderful heritage away from all of us. My people didn’t take from the Indians so I don’t take blame. Mine were being moved from their homeland at the time, also. Guess that’s my bond with the Native Americans, doubt they would feel the same, but in my dreams we are all friends.
You were in a rock band. Tell me about the band and your music...
I grew up playing Classical piano and then Hullabaloo came on TV and my Mother decided I should be a rock n roll star. She sold my piano to my cousin and I came home one day to face no piano, which I lived on, and a guitar setting there instead. It was a Gibson Classical and I hated it. I wouldn’t touch it for days and when Mom finally convinced me to try it I had no idea what to do with it. I bought a book of “The Beatles” songs and they had pictures of chords and thus my career was started. I wowed my close friends with my renditions of songs and three chords. One day my friend took me out to her back yard and sitting across the yard she yelled at me to sing louder as she couldn’t hear me. When I got loud enough for her to hear she went inside the house and yelled “Louder I can’t hear you”. I was screaming out the song by that time. I learned a lot from that and then I learned how to project. This helped a lot with raising my two kids because there was no way they could say they couldn’t hear me at any time. My Mother was working as a waitress in a fancy restaurant in Riodoso Downs, NM, and I was her bus girl. I was 17 at the time and very shy. By that time I had begun singing folk songs and was madly in love with Bob Dylan. Those songs fit me as I grew up with old songs my Grandfather use to sing to me, from Ireland and some he had picked up in his move across the States. At one time I knew all 90+ verses to “House of the Rising Sun”. When the Animals, an Irish folk rock band, came out with about 5 verses of that song it became a hit. A hit that I knew and most lounge bands knew also. My Mom talked the guys in the band into letting me sing with them one night. My legs were about to shake off my body and I started so quiet people were yelling at me to be louder. When I closed my eyes and let loose they went wild for me so I was a regular sit in with the band on that one song. I never lost the stage fright. But if I stared at the lights or closed my eyes I could block out the crowd. Later, much later and a marriage and baby later, I moved to Denver and there is where it all seemed to start. I was 19, my husband was in Germany during the Viet Nam war, and I had to raise my baby alone. I got a job at a corner bar singing. I was probably awful but I had some influential fans. One was a local singer in Denver and she took me under her wing and taught me how to be an entertainer on stage. She even helped with the stage fright by showing me I was above the crowd not in the crowd. I wasn’t there. She even helped me make some demo tapes to give to agents around Denver. One agent was a really good guy who told me that with my big voice I should have a bigger sound. He told me to get a band. That was several years down the road and several guitars later. When Ovation first came out with their guitars they were practically giving them away to entertainers to use on stage. That was my first 12 string and I’ve never played anything else but a 12 since. I made a small name for myself in lounges around Denver and one entertainment reporter really liked me and kept my crowds coming in and following me around Colorado.
When my husband came back I moved back to Albuquerque and worked at getting jobs around there. I finally decided to build a band and we called ourselves, “Make Believe.” The band grew to about 5 members at one time and back to 3 and up and down. No one but me was expendable and drugs or being stoned on stage was a way to get kicked out of the band. I didn’t give but one warning. We were asked to open for several big bands back in the 70s and we did a pretty good job of it. I found I could sing in front of thousands of people with no problem, but make me give a speech in front of 30 and there went my shaky legs again. Then I met a couple of brothers who were very famous in New Mexico by the name of the Wickham brothers or Hank and Louie Wickham. Louie was my mentor and would book me somewhere and forget to tell me. I guess I would have second sense but always managed to call him before I was late for a booking or I would read it in the paper. He got me in contact with quite a few people who were great in the money making department and he never allowed me to ask too little.
I had a bad motorcycle accident that ripped my face off and that ended my time with the Wickham brothers but not my career. I hooked up with a partner named Ron Bosserman and we were two peas in a pod. We came from the same part of the country and our styles were almost identical. He was looking for a partner and I was looking for a job after I healed and we practiced three hours before we first went on stage together and were together three years. We had a blast and packed the small lounge and bar areas so tight that there were nights we had to sing 15 mins on with 45 min breaks to get a turn around so those outside could come in. My 15 mins of fame. LOL Ron was Waylon Jennings' ex-bass man and it wasn’t unusual for Waylon or some of his band to stop by off and on. The night I met Doug Kershaw was the highlight of my entire career. I was singing along and looked up and there he was in the back of the club in a velvet suit. I couldn’t get a sound to come out. Thank God for my partner who took over and deserved the credit for getting Mr Kershaw there.
In between Hank and Louie and the accident I had gotten a divorce and then a year later I remarried and stopped singing, sold the bands I was managing and tried to settle down. Three years after that I was divorced again having remarried the same guy and realizing, Nope I was right the first time. He took all my money, house and cars and I took the kids. I got the good end of the deal, did miss the money some though. I went back to the lounge scene singing. I could make a lot of sound come out of that 12 string so I did all right by myself then something awful happened. Disco. I had to go on the road and after a year of home a few days and then back again, I quit and went to college. The entrance back into the world of humans and out of the world of entertainment has always held its share of what ifs and should haves and could haves. I have never made the same amount of money I did in the 70s nor have I ever had as much fun at a job as in those days of pretend. Not that it was easy. I would work until two in the morning, take about 2 hours to wind down sleep until 8am get up and take care of my one then 2 babies and practice, until school was out for my son or all day on my three days off. I had a woman who was a great fan of mine and was in the audience every night where ever I was working. One day, one of my days off, she had found out where I lived and came to my door. I opened it in rollers, wearing an old t-shirt, cut off jeans and had pea baby food all down the front of my shirt from where my baby Kasey had just spit them. This woman’s eyes got wide and she asked me if I knew Tawny Herrera. I told her that was me. She screamed and ran away. I never saw her again in the audience after that encounter. That side of what she mistakenly thought to be a glamorous life was too much for her. I still think of that and laugh and wonder about those who wanted my autograph those years ago. Wonder if they still have those worthless pieces of paper. Those music years were some that opened doors to meet people I would never have been able to meet as a human. I sat and talked to famous people, shared glasses of wine and opinions with them. Sat and ate a steak dinner with Dan Blocker in Cody, Wyoming. (Well, I had a steak dinner he had two.) I got to meet them on a one to one way, not as a fan but a comrade. I never asked for autographs. And there are many I wish I had asked for. Doug Kershaw’s for one. Damn.
Dogs. How many? What breed? Why great danes?
I’ve always had a dog. Dogs have always been my confidants my best friends and someone to love me when I felt alone. All kids should have an animal to love and confide in. I’ve seen my dogs of my childhood brutally killed in front of me by adults who didn’t feel animals had any value but to do their bidding. I have never felt an animal my property or owned by me. We live together; we love and respect each other. I join their pack as the Alpha and they accept that. (Actually they have to because I also have a duty to feed and shelter them and get clean sheets on the bed for them. I think they appreciate how I perform my duties.) I have always wanted a Great Dane. I longed for a Great Dane and one day I got one. A puppy we named Gandalf from the Hobbit books. (That was back when you actually read great books and I read those books to the kids.) He lived up to his name and was my baby boy until he died 11 years later. He wasn’t a “dawg” he was a member of the family. He and Kasey would argue and come running to tell on each other. When he grew up he would argue with his big brother James. They had a fight once where James thought it funny to tell him he wasn’t really my son. Gandalf whined all night and would only go to sleep if I rocked the water bed. I would slowly drift off to sleep only to be awakened by a crying dog again and have to start rocking the bed again. That was a long night. Needless to say their relationship was never the same. James moved out and when he came to visit Gandalf made him sit on the floor claiming the sofa or chair he might sit in. When he died my heart was broken and I didn’t think I’d ever be the same. It was almost like losing a child.
I got a call from the pound from a girl who had known Gandalf. She told me there was a female Dane there that might die if someone didn’t come who could help her. I went in and saw a skeleton with black skin. I took her not knowing if my other dog would accept her as my other bitch was living up to her name of Taoiseach. (Tee shuck) which is Prime Minister in the Irish language. There was no problem. I named her Dubh (Dove) which means black in Irish but she was always a love and lived up to both the meaning and the pronunciation of her name. I had her for 8 years and she finally just laid down and went to sleep. She died as elegantly as she lived. She was and angelic queen. In 2002 I was perusing the petfinders web site and saw Gandalf staring back at me. When I checked his birthday was the same as Gandalf’s also. I drove from Cottonwood, AZ to Phoenix to meet him. When I walked in we fell in love. I felt a total healing of my heart. I couldn’t take him then but when I went back to get him he wouldn’t move from the door. He was bound and determined to leave with me that time, and he did. After that I adopted Grainne Na Mhail, (Grawn-Ya EE Wy-ya) or Grace O’Malley. She was named after a famous Female Irish Pirate who was another heroin of mine from childhood. Grainne was a hoot, my tattle tail and always “Jojo did it.” Jojo was a purchase my sister made and when she tried to take him back the man admitted that his prize Queensland bitch had gotten with a coyote and he didn’t want him. So I took him coyote and all. We call them coy-dogs out here. Then Grainne’s heart burst when she was three years old and so did mine on that awful rainy April night. I got another call about a little girl named Panda Bear, because of her markings, who was in need of a home or had to be euthanized. We made payment arrangements and I drove from where I now am back to Phoenix and picked her up. We spent a lot of time at the vets because of injuries and had to remove a toe that had been broken and gotten infected. But she is now my big baby girl. Oscar and Panda are the only Danes I have now and have passed the gauntlet of adopting Great Danes to my daughter who has two beautiful boys now and I suspect will continue where I leave off. She is so much better at it than I am. I just let them be dogs, but Kasey teachings them manners and teaches other people through her beautiful boys. Kasey stands 5’2” and handles two 100+ pounds of dogs with no problem. I’m proud my kids learned to love and respect animals as much as I do. ( Her dogs are whooshy city kids though where mine are country kids.)
Last but not least is Bodiccia (Celtic Queen). I just call her Bodie and she listens when she’s ready to. I was driving into town and saw a car stop and throw something out of the car. When I got closer I saw a little black pup sitting staring at the leaving car, from the middle of the road. I stopped and picked her up. I tried to catch the guy but he drove faster than I could do without a ticket. I found they had tightened her collar so tight it was choking her and after brushing her for several days about an hour per day and two trash bags of hair later, she was skinny. Now she is a happy shiny black lab who loves her Panda, adores big ol Oscar and puts Jojo in his place even when he doesn’t need to be. I think it took month or so of driving into town before she quit going to the floorboard of the truck every time we passed the place she was thrown out. I don’t know if she was hiding in case the person wanted her back or it horrified her thinking I was going to do the same. Nope. Every animal I take into my home stays in my home. I don’t throw lives away.
Goats. How many? What breed? Are they ornery?
I have one goat, Fion McCool. He’s a mix of goats but his daddy was a Boar Goat. Onery? That all depends on whom you ask. I think he’s my boy and perfect. That is not the consensus of the rest of the humans around here. But I don’t care and when he’s out and playing you must be prepared to explain in goat what your purpose here is and no way you are getting next to MOM.
I was at a friend of mine who raises goats for meat and milk. Fion’s mother had three kids and she rejected him. There is no known human reason why, only she knew, as he looked just like the other two, but he was smaller. He came running up to me crying. I’d say bleating but it was one long WAAAAAAA. I first thought it was a tiny poodle and knelt down to pet it and he jumped into my arms still crying and kissing me. I had to take him. That was a good decision as he was to be killed the next day. My friend didn’t want to kill him and was happy to give him to me. I took him home and raised him in the house with potty trips after the bottle, outside with the dogs. Panda adored him as she does all babies and he would curl up with her on the sofa either beside her or on top of her. He knew his bottle times and how many. It was cute to hear the little tap tap of hoofs along with the paw thumps. Fion got a bottle and the rest got nummy nums. He was born in January and way too cold to put outside alone so he slept in bed with me until he got bigger then went to a crate at night and outside with Jojo or some dog during the day. He could still come in sometimes during the day until he went on hay and off the bottle. Then he started making messes in the house and his first full night outside behind a locked gate on the deck and in his crate was traumatic for me and him. I was up all night checking my baby to make sure he was alright.
I have pictures of him as a baby where all you can see are his back legs and little butt with the rest of him under the tarp where the hay was kept up on planks out of his reach, we thought. There is no door on any shed he cannot open if there be hay or sweet feed on the other side. There is nothing he won’t have to inspect and drawer he won’t pull out. No bucket or bin is left unturned in his ever unrelenting search for FOOD. Fion now stands about 36 inches at the shoulder lives in a log cabin near his pals corral. I love to see him and Domino, my horse, walking side by side out to the pasture, like they are discussing something important. He is a picky boy and things people say goats eat, he won’t. He does love paper though and has been known to eat a bill or two. That I forgive and have no problem telling them it wasn’t paid because my goat ate the bill. When he was a baby he did tricks and still loves to stand on a step stand for applause and accolades of praise for his wonderful feats of daring. He will jump off with a twist and turn and come over to me to be loved on. On walks with the dogs he chases rabbits for a ways with them until he sees something good to munch. I forgive him for everything because there has been nothing more important than he is. Even to the tap marks on the pickup hood. They buff out and if they don’t well that’s what a pickup is for, not for pretty but for work. I put plenty of scratches on it running through the mesquite so his little tap marks are nothing. However not everyone feels that way. There is a religious group that quit coming around when Fion jumped up on their new pickup and did a few jigs for them.
Horses. How many? What breed? Do you give them carrots and apples?
Welph, I have two. Not that I ever even meant to have one but God had different ideas for me and I now have two. One, Liffey an AQHA registered quarter horse may have a forever home soon and Domino my mutt horse will once again be an only child again. (Do I hear a WHOO HOO from the corral?).
My first is Domino. He will not leave me until either I die or he dies or we both go together. He is my baby. Domino is a mix breed and I think he has draft in him as he is tall and stocky legged with feathers and gentle as a lamb… to me. Anyone else must die or be told they might. He was an Apache Reservation wild horse sold at auction to local cowboys with brutal ideas about breaking a horse. They took the word breaking to mean just that. He was beaten, whippend, tied with a log chain for days to a tractor tire to keep his head down, hobbled then saddled and spured to buck and when he fell they would beat him with 2x4 pieces of wood. He didn’t break. A woman who knew less about horses than I do, rescued him but carted him from stable to boarding stable until the bill came due and she would get a Sherriff deputy to go with her and she would claim abuse. It wasn’t hard to do as no one dared get near him. His mane was matted to the point of appearing he was hiding baseballs in there. His tail wasn’t any different. When I met him he was at my friends who were boarding him for the woman. She pulled the same thing but being out of boarding facilities, she took him down the road to another friend who has a donkey rescue. My friends got together and the woman thinking she would come back and get Domino was surprised when she came back and he was gone. They decided that Domino and I were perfect for each other and a series of events happened and he is mine, all mine, and I am his all his and I’m the only one he allows to get near him. I get over under and everywhere on him, but yet to ride him. It’s been three years and when I first faced him in the corral I thought, “What the hell am I doing with a wild angry horse?” Now I know that it’s because I needed this new love in my life. He heals me when I go out to hug him the stress and pain just fades for a little while. When he puts his chin down on my back I know he is hugging back. His power is soothing to me.
Liffey was first a phone call early in the morning. Someone had called my rescue friend wanting her to take their horse. She said she didn’t have room for it but would go look at her. She said, “Tawny you have to take her; you said you wanted a friend for Domi.” I turned her down twice but the third time I called her and said OK. When we got to their place I saw a beautiful young horse, standing amid piles of scrap metal. She too was matted and the water trough was not only dry but had dry tumble weeds in it. They gladly told us that since they didn’t have any money to feed her they didn’t water her either. I wanted to punch the woman but I wanted Liffey out of there. Her registered name, I found out when they were giving me a bill of sale, is Go Jet Cash Deck. They called her Nifty. What a terrible name for an unwanted neglected horse. She had been standing in that mess for 9 years. When we opened the door of the trailer she stood in amazement then ran, fell, got up and ran. All day she did this with Domino at her side. The next day she walked all over the 40 acres with Domino still at her side. She had no muscles and for the first week falling was common.
The evenings were spent with Domino laying down in exhaustion over in his special area and she would lie down under the shelter while I rubbed her legs down with liniment and giving her butte for the pain. I started taking Domino for walks and let her run alongside us. Her awe of the vast world was evident in a video I took of her. She is now healthy, hooves trimmed and rubbing legs too dangerous. She is WOMAN now and don’t take no crap from no one no mo. My little girl has grown up so fast. Now she has to go to trainer. Because not only am I not a trainer, I don’t want to be a trainer. I don’t want to ruin this empty slate with any blunders.
As a published author, you are a great writer. What is your book about?
Hmmm. That would be Mark Twain as an author. I like, no I loved Mark Twain most when he wrote about what he was doing or himself in general. However I was entranced for a whole weekend with his voyage in time in A Connecticut Yankee in King Arthur’s Court. I can’t say how many times I have read that story. My favorite was how he opened his biography with the line, “…I was born at a very young age…” He saw the humor in his tragic times and in times others thought to be tragic. He didn’t go with the accepted flow of literature but went with what he knew. He spoke as he knew best to speak and thus making his stories easier for me to live in with him. His country, down home style of writing is how I write as I don’t always use the best grammar when I write nor when I speak. I’ve had some criticism about how I write but I find it’s more from my American critics than my friends in Europe and Ireland. The comments I get from my Irish and English friends are far from negative on how I express myself but asking me to write in that style more often. Of course I will because that is the only style I write in. I’m not a posh person, as many will attest seeing me tool around town in boots covered in manure and mud with some hay on them and my old straw hat and sometimes, more often than not, holey jeans (It ain’t because they were blessed either). My truck has enough mud on it so you know about where I live, and I dress in layers and not necessarily coordinating layers. There is no way I can tell you a story through these old eyes and pretend to be a wealthy land owner with a string of well papered horses and correctly bred animals. To do so would come out pretentious and more than likely wrong and unbelievable. I have to let you see what I see through the only eyes that can understand me. This is what Samuel Clemens did. He wrote about the river that he loved and those that lived on it. I believe in his time, Mark Twain was more admired by Europeans than in Americans, so maybe I can be in good company.
Do you have suggestions for new writers?
Well I believed I rambled on in the last question and gave that answer. I can only really tell you what I like to read. There are a lot of books people rave about that I have trouble getting to the second chapter without yelling. Steven King has that ability to scare you to death just by reading and seeing what he is seeing. I had a boss once that told me to take notes on a project like I’m a camera. He told me to see it all and make it easy to understand and informative enough so that if I died tomorrow someone could take over the project and know what was going on. Gruesome I guess but that’s the way a book should read. It should make you develop a movie in your head that flows on with every period and well placed comma without a commercial.
Follow Tawny...
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Posted on Saturday, April 07, 2012 8:37 AM
Morten Jorgensen is an acclaimed Norwegian author who currently is writing his first novel in English.
A master of words, Morten is the author
of "Sennepslegionen" ("The Mustard Legion"), "Kongen
av København"("King of Copenhagen"), "Kalle Solflue og
insekttyvene" ("Charlie Hoverfly and the Insect Thieves",
children's book), "Bank" (thriller, German edition: "Rache auf
Raten"), etc.
Novelist, poet, musician, photographer, punk rock veteran, etc., Morten made his debut as an author in 1984 with Shadow letter Bungalow 33 . He has published 5 books, written lyrics and reinterpreted texts for radio and stage, translated plays for, among other things, the National Theatre, written numerous book reviews and articles.
I had the great opportunity to catch up with Morten on his return from his recent research trip to London and Beijing, China, for his forth-coming, two-volume, novel "Brent".......
Where are you from?
I was born in
Trondheim, Norway’s 3rd largest city, population 176,000 (2012). When I was 13,
my family moved to Oslo, the capital of Norway.
When did you
realize you wanted to be a writer?
I started reading
at 5, and it became a teenage dream. The conscious decision to become an author
I took after my first book was published in 1984.
What do you
currently have in the works?
“Brent”, a rather
massive two-volume novel from the immediate future, scheduled for publication
in 2014. A crossbreed between a space opera and a road movie, with Goethe’s
“Faust” as backdrop. It is not science fiction in the traditional sense. No
aliens, no laser swords. I chose the future because it gives me an indefinite
and open canvas, and a large one at that.
Where do you like
to write?
At home. I travel
for research, but I write at home. All my books have been written at home.
Mostly at night.
What is your inspiration
for your novels and poetry?
The word
“inspiration” has always felt somewhat irrelevant to me. I am very systematic
in my authorship. I planned my authorship in 1984 and adjusted its course, in
1988 and 1995. “Brent” is the final book on my temporary agenda. When “Brent”
is out, I will decide what to write next. Maybe all the way to Tombstone.
Unless you count “women” as inspiration, that is. Authors are
not all that different from rock musicians. Most of us start out with a
romantic teenage perspective on writing, hoping for some kind of glory. I have
been fortunate enough to grow out of it. But it is a statistical fact that I
still work exceptionally well under the influence of women. I’m a sucker for
female compliment. However, I never let it influence my work, only my drive. I
think authors should be more honest about themselves. Not go all “Syria” and
boast a lot of pompous drivel all the time when they talk about “inspiration”.
Besides, if you
have problems being “inspired” to write, you are probably not very skilled as a
writer. A pen and a napkin is all an author needs. A finger. Sand.
My only
inspirations are language as such, the beauty of it, and my own technical
ambition: The strive towards the smooth and the unique. In that sense, mostly
dead, but also some living great authors, are inspiring. But I prefer the word
“influence”, as I have no control over which authors who make an impression on
me. Reading books by skilled colleagues is a learning process to me.
Do you use real
life events; your own personal experiences?
I use everything.
I’m a total magpie. I can use personal experience, real life events, whatever.
But I find it most satisfying to write about The Other, Strangers, people I
don’t know. The Dark. The Unknown. If I use personal experience, it is out of
convenience. It saves time. And I have no “message” or theme. I find myself as
a person completely uninteresting for my own authorship. Through “Brent” ,
which I consider the final exam of my apprenticeship as a novelist, my
authorship is working its way towards what I consider riddles, mysteries,
things that I don’t understand. I explore, I do not lecture, and my books have
no opinions. Pingo ergo sum.
What suggestions do
you have for beginning writers and poets?
That depends on
what kind of writer you want to be, whether you want to explore mankind or
(just) entertain it. If you want to write thrillers or romance, just go ahead
and try. Think commercial, like everybody else. Suck up to your audience. It’s
a good life.
However, if you want to explore mankind, in whatever sense,
ask yourself if this is what you really want to do. There are too many rehashed
novels written in the Western World. Do you have something, if not unique, at
least something special to bring to the public square, or are you striving for
it, with a minimum of realism? The world does not need another depiction of
your lost love. Write a diary instead.
It is a very
serious craft. Authors are statistically prone to divorce, alcoholism, drugs,
suicide, conflict, ridicule, estrangement. In conflict regions, it’s even
worse. This goes also if you are a happy camper and irony is your tool for
exploring man and his doings. Ask yourself if you really want to. Maybe you’d
be better off as a journalist or an academic.
Who is your
favorite author? Why?
Technically, I
would have to say Shakespeare. It’s sort of embarrassing, in a way, even
ridiculous. How can a poet born five hundred years ago, still be the master?
It’s the DaVinci and Michelangelo syndrome. It may be seen as an indication of
the validity of the theory of devolution.
My favorite writer,
though, is Nobel Laureate Samuel Beckett. I enjoy his brutality, his depth, his
merciless depiction of man and his axing of language. I read him constantly,
again and again. Norwegian Nobel laureate Knut Hamsun is another favorite.
My favorite novel,
though, is the epic “The Master and the Margarita” by Michael Bulgakov. A book
that contains everything.
Poetry: Besides
Shakespeare, I have no particular favorites when it comes to poetry.
In your opinion,
what is lacking in today's literary market?
Too much
entertainment, too few watersheds and milestones.
Where do you see
yourself in five years?
Hopefully writing
full-time with a generous budget to travel the world and explore mankind.
Follow Morten
Norwegian publisher: CappelenDamm, Oslo. Editor: Harriet Karoliussen International Rights Manager: Kristin Weholt
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Posted on Sunday, December 18, 2011 3:42 PM
Welcome Brandon!
From Blackpool in the Northwest of England, Brandon is a musician, writer, poet, lyricist, etc., etc...With a new album debuting soon...
You are a famous musician. Do you write your own lyrics?
- Yes, of course! I am constantly writing lyrics. Its rare that I'm not putting pen to paper, fingers to keyboard or thumbs to iPhone!
What is your inspiration?
- My past experience lately. A lot of stories from my youth have come to the fore. Most of my songs are amalgamations of memories and fictional representational characters. I don't believe in just making something up, forcing it. I open the door and the music just floats on through, I'm lucky that what happens is coincidentally true. I don't really think about doing it, I just do it. Kind of streams of consciousness if you like. I've read a lot of Jung and am very spiritual. I believe the energy needs to flow through your art unhindered by the ego. It sounds pretentious and daft to some but it's the truth for me, it's not let me down yet. As Van Morrison said "...let go into the mystery". I do often write about individual liberty too though, I mean the states impact on civil liberty and the mainstream media's impact on the general public's ability to believe or to dream. I feel that people today have been robbed of faith in many ways and have been sold a worthless dream of materialistic riches. Nature is richer than we'll ever be.
You play guitar and what else?
- My first instrument is, and always has been my voice, guitar second. I also play piano, bass guitar, drums, mandolin, ukulele, Greek bazouki, harmonica etc the list goes on. I like anything that allows me to embellish my music. I'm playing with the idea of buying a flute at the minute.
You have just finished recording a new release. Is this your first?
- No, I've had three previous releases although two have been with a band and one solo self release. You could say this is my first official solo record, definitely my first in the states though. I went over to Richmond, Virginia and recorded with some great musicians in an old converted theater. Was a beautiful experience. Some beautiful people and my lord is Virginia magnificent! I truly fell in love with that place. I'm also working on a soundtrack to an English film too. It's called "Better to burn" and is still in production.
What is it like in the recording studio?
- Well, it depends on how you are recording it. Recording with a band, as part of a group is probably the most difficult thing for me. I am used to writing for bands, for myself and solo and just being able to let it flow (as explained earlier) but usually, egos appear in the studio and it tends to blur the flow. I have to be honest and say the studio with a band is probably the worst thing I do with my music. Solo however, that's different. Its more a battle with myself. Still not a nice thing. Everything goes to slow for me. I struggle to articulate the flow, or rather translate it to the producer/engineer as quickly as I feel it. It's easier when I home record. I do have one producer I work with in England who knows me well and tends to get me although my experience in Virginia was phenomenal, I self-produced a lot of it and engineered some of it along with a great engineer called Rob Astleford. The producer, Evan Batemen really helped us get the show rolling and turned it into a real album which any great producer does but he only joined the session half way through. He made it get finished though. The studio owner Arron Reinhardt was also unbelievably cool with studio time and production. It's such a hard process recording. Virginia was definitely the best experience ever. The magic flowed in all the right places but I still had moments where I was pulling my hair out. Live, playing live for an audience is where it's at for me. That's the real edge, the best time. That and right, slap-bang in the middle of a song I'm writing. Live and writing. Much better times.
Who is your favorite musician(s)?
- I would have to say John Martyn, Van Morrison, Jeff Buckley and The Doors. If I was pushed. I do love lots of others though too. A Virginian named Paul Curreri and also Kelly Joe Phelps a few others, John Prine, Townes Van Zandt, Jackson C Frank. Plenty!
Did you grow up in a musical family?
- Erm, well my father left when I was five and my mother spent a lot of time in hospital as a child so I spent a bit of time in care and in foster homes so I never connected musically much at home although my mum has an amazing voice but suffers terribly from stage fright. My father played tenor and alto sax, my auntie was a professional singer out in Australia where she emigrated and toured the north west. My grandfather on my mothers side Harold, was a club singer and multi-instrumentalist in the north of England, my grandmother on my fathers side was also a club singer. I have a tape of her singing, it's one of my most cherished things, I never met her. It's in my blood. I am the first to record music though, record my own music that is.
Where can we buy your music?
- Right now, nowhere. The old stuff I've done is no longer in print. I am working on this new album, adding English musicians to it. It should be out in the new year in Virginia and online via iTunes. If people want to get my music, they can buy it through me at my email until I've sorted my record deal. Rodgerdadodger@hotmail.com.
What are your future goals as a musician?
- I am heading up to Scotland in February, Ireland in March/April and then back out to the States in June hopefully. Long term, I hope my album is heard by people and that they get me and feel what I'm trying to do.
What did you have for lunch?
- Lunch was good old English chips and sausage (that's fat French fries and English sausage to you lot!)
Ask yourself a question...
- Erm, favourite drink? Amstel lager or Faustino I Rioja or of course a nice cup of Yorkshire tea with milk and one sugar thanks. .
Two songs off Brandon's forthcoming album...
CHASING BLISS
The sun came up & broke his nightime flying like a bucket of water on the face of a sleeping giant
He tries to shield his eyes from the Blinding sunny silence
But the sun has won now he's lost his night in the day nothing to do cept try and hide away
he fumbles around and finds the fix he was trying to break
as a memory forms in the clouds of his floating mind of a happier day when it was all just passing time
but he is shaken awake to find that reality's much crueler
he spies a needle lying like a ticket to somewhere dearer but it's an empty shell of air that he pumps down deeper
He's greeted by lights & his soul find's himself & leave's here
oh why Don't you just read between the tracks run deep beneath your skin what would your mother think of this womblike coma chasing bliss
This is my most personal song. It's about my father. This is my most honest and painful song. The track was recorded in Virginia and is accompanied by native american indian flute. It's called Michael and is on the album.
MICHAEL
On a foreign shore miles away from his home Michael first witnessed death At 16 yrs old, his friends and he First faced down the enemies stand Michael only remains though he’s never the same & his life he just can’t get back All the wounds that he bore were fleshy and raw But he knew that they’d heal in time Yes he was sure they’d heal in time
The skin it did heal though his friends they still scream From his memories cold and black And his scars though unseen still remind him in dreams Of the friends he left behind He just can’t get passed all the pain in his past That somehow keeps crippling his mind The mistakes he’s made since are all littered with drink Just to keep his head from the pain Though he was sure it’d heal in time
Now it’s 40 years since he was discharged unfit Though it feels like yesterday It seems every day now he see’s their faces again In all that he tries to do Waking up in the night screaming trying to fight Unseen enemies from years ago now he’s so tired of life cos it’s so full of death He just longed to let it all go He longed to let it all go
So one day alone Michael unplugged the phone And looked through his photos of the past He drank from the bottle down deep with rope Considering how to go with a swift jump and fall Michael ended it all for himself not his two sons and wife In them his pain lives so bitter and sharp But they’re sure it’ll heal in time Yeah they’re sure it’ll heal in time
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